A great way to do that is to incorporate subplots. Subplots can help you change the pace and even the tone of the story. A subplot should also move the story forward in some small but deliberate way. Use subplots to keep the reader informed about the other characters in your story.
As we discussed above, you can use subplots to draw out the theme of your novel. Your subplots can help the reader connect the dots and see the bigger picture. Subplots allow you to show instead of tell. Without subplots, how would you communicate that your character has grown? You can show the progression of a character through the arc of the subplot. Create sympathy for the protagonist or the antagonist through a subplot. You can weave them throughout your story. Set up a subplot and revisit it throughout your novel to keep the reader on the hook.
Start by looking at your story as a whole. What parts of your story naturally lend themselves to subplots? But how does he transition from farmer to soldier? Create a subplot that allows your character to develop these skills.
Perhaps, when the farmer runs away from the opposing army, he happens upon a retired soldier who teaches him the art of battle. A subplot should begin and end within the main story line. Take care to wrap up every minor story before reaching the climax of your novel. To create a well-rounded subplot, answer these two questions:. While you can take subplots away from the main story, you should never be able to take away the main story from the subplot. A subplot that can stand alone should be its own story.
A subplot can focus on another aspect of the protagonist, or it can follow the story of another main character and his or her development. It can drive home theme and it can aid in world-building. He, on the other hand, wastes his wealth on useless and extravagant parties. He does this to seek enjoyment with friends, including a beautiful married woman, Daisy Buchanan, whose company he enjoys very much.
This subplot about prohibition adds intensity to the main plot.. William Shakespeare , in his popular play King Lear , describes the main plot: King Lear disowns Cordelia, his faithful and loyal daughter, and divides his entire kingdom between his unfaithful and treacherous daughters, Regan and Goneril. However, the subplot involves the Earl of Gloucester and his sons, Edmund, an illegitimate son, and Edgar, a tricky man. Edgar is very cunning, tricking his father into thinking his faithful son Edgar is engaging in intrigue against him.
The earl forces Edgar to leave. This subplot points toward major events in the plot, such as neither father could differentiate between their faithful and treacherous children. Nevertheless, the events get mixed up, and Regan and Goneril start falling for Edmund, when he becomes the Earl, and Edgar ties the knot with Cordelia.
Pip even asks for money from Mrs. Apr 2, Explanation: Issues that are a part of the plot arc include the exposition, or how the author introduces characters and conflicts; the climax, where, as the name implies, the issues of the storyline and perhaps the characters as well reach a climactic point; and the resolution also known as the denouement , where the conflicts and major dilemmas are resolved or tied together as the storyline reaches its end.
What is the difference between diction and tone? What is an example of theme? What is the definition of theme?
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